After plugging the interface into a MacBook Pro, we downloaded the SSL 360° software and selected the Yamaha CLP-785 MIDI keyboard (which was already connected to the interface) as an input before recording. The unit features XLR and TRS sockets, as well as a USB port, so you will have no problem connecting any gear. Since the SSL 12 was class compliant with Mac, there was no need to install any drivers. The layout is logical and straightforward, with nice knobs and buttons for hassle-free analog control. Physically, the unit feels pretty sturdy and compact you can easily take it on the road with you. Around the front, you will find 2 high impedance instrument inputs and 2 headphone outs. Alongside these, you will find a large monitor knob with CUT, ALT, and TALK buttons as well as 2 volume knobs for headphone jacks. The four inputs have individual gain knobs, 48V switches, high pass filters, LINE and 4K buttons, as well as LED meters, which are all present on the main panel. These analog inputs (which are mic/line inputs) are present on the back along with a single optical input, 4 stereo ¼” jacks, DIN MIDI sockets, a USB-C port, a power switch and a Kensington lock. The unit features 4 analog inputs, and offers 8-channel input expansion via ADAT. Offering a max recording resolution of 32-bit/192 kHz, the unit also offers programming via its free SSL 360° software. Boasting a 12×8 I/O configuration, the unit comes with ADAT inputs as well as 5-pin MIDI I/O. The SSL 12, released in 2022, is an addition to SSL’s series of affordable audio interfaces. Pair that with a good interface and you have yourself a solid setup! Have a decent budgetand get something that is built to last. Some people think it is the least important thing, but you’ll find yourself struggling with velocities on a cheaper MIDI keyboard for example. Sure, you can spend more to get an advanced DSP, ADAT/ SPDIF expansion, but only if that is your required use case.įinally, you not only want to get a good interface, but you also don’t want to cheap out on MIDI instruments. Audio interfaces are not as complicated as most people think. You want to take your I/O configuration into account, invest in an interface with a good DAC, preamps, converters, and a manufacturer that provides solid drivers. Other than that the requirements for an audio interface are the same. You don’t get any timing issues either since it just goes ahead and duplicates all the signals. The through box only needs one MIDI cable and a single MIDI output. What this means is that all your instruments get hooked up to a single box, and you don’t have to depend on, for example, one synth with incorrect settings that may ruin your entire chain. If you have several MIDI instruments, you can use a through box that lets you use one MIDI output that sends to several MIDI inputs. When choosing an audio interface with MIDI functionality, you really only need a 1×1 MIDI connection. If your device is connected through USB, you also have to activate it in the DAW, and your DAW always has to do the checking. The benefit of having MIDI ports on an interface is that they are always active, and your output is much cleaner. While this works for some people, depending on what else you have connected, how you power it, and what cables you have, you are more likely to get ground loop humming or static noise in your recordings. These days, you can plug your MIDI instruments directly into your computer via USB and have a software instrument generate sounds. With MIDI functionality, you get MIDI I/O that routes MIDI data from your instruments to your computer, as well as other MIDI devices. MIDI interfaces are awesome when you want the added functionality of connecting MIDI devices such as keyboards, synthesizers, drum machines, and other electronic instruments.
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